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New Book: Spaces of War, War of Spaces
Published July 23rd 2020 by Bloomsbury Editor(s): Sarah Maltby, Ben O’Loughlin, Katy Parry, Laura Roselle Cover image: Aluminium Waste Pond at Petkovici from the Bleed series 2005. © Simon-Norfolk Spaces of War, War of Spaces provides a rich, international and multi-disciplinary engagement with the convergence of war and media through the conceptual lens of ‘space’ Visit the book website Click here to purchase. Use 35% online discount code: GLRTW5 Overview ‘Space’ offers a profound, challenging and original framework through which notions of communication, embodiment, enactment, memory and power are interrogated not only in terms of how media spaces (traditional, digital, cultural, aesthetic, embodied, mnemonic) transform the conduct, outcomes and consequences of war for all involved,…
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War and Representation Podcast Series
WAR-NET have launched a new podcast series: War and Representation. Listen here: http://podcasts.ox.ac.uk/series/war-and-representation. In these first six podcasts, leading international scholars discuss topics such as the relationship between war, aesthetics and politics; philosophy and nuclear war; the phenomenon of ‘amok’; the messiness of history; human agency in warfare; and the place of emotion in research. They are Elaine Scarry (Harvard University), Vivienne Jabri (King’s College London), Patrick Deer (New York University), Santanu Das (University of Oxford), Joseph Vogl (Humboldt University) and Christopher Coker (LSE). The series is a joint venture between the scholars at the University of Southern Denmark, the University of Oxford, the University of St. Andrews and Liverpool Hope…
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The Arab Archive: Mediated Memories and Digital Flows
Edited by Donatella Della Ratta, Kay Dickinson & Sune Haugbolle (INC Theory on Demand #35) on history and representation after 2011. As the revolutions across the Arab world that came to a head in 2011 devolved into civil war and military coup, representation and history acquired a renewed and contested urgency. The capacities of the internet have enabled sharing and archiving in an unprecedented fashion. Yet, at the same time, these facilities institute a globally dispersed reinforcement and recalibration of power, turning memory and knowledge into commodified and copyrighted goods. In The Arab Archive: Mediated Memories and Digital Flows, activists, artists, filmmakers, producers, and scholars examine which images of struggle…
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Covering Syria: Politics and Communication in Times of War and Revolution
February 25, 2020 SOAS, University of London This workshop aims at bringing together academics and postgraduate researchers working on Syria, media and political communication. We are particularly interested in the following questions: How Syrian opposition media are rethinking their strategies for covering a country that is still fragmented and occupied but mostly dominated by the Assad regime? How Syrian journalists and cultural activists continue to document the conflict in exile? How gender relations were impacted by this new media environment? Which forms of archival work is possible to preserve the memory of past engagements? How did international media organisations document the conflict and what narratives did they disseminate? What does a context…
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THE EYE OF WAR
Military Perception From the Telescope to the Drone Book by ANTOINE BOUSQUET University of Minnesota Press . From ubiquitous surveillance to drone strikes that put “warheads onto foreheads,” we live in a world of globalized, individualized targeting. In The Eye of War, Antoine Bousquet provides both a sweeping historical overview of military perception technologies and a disquieting lens on a world that is, increasingly, one in which anything or anyone that can be perceived can be destroyed – in which to see is to destroy. Arguing that modern-day global targeting is dissolving the conventionally bounded spaces of armed conflict, Bousquet shows that over several centuries, a logistical order of militarized perception…
