Commemoration, Memory, Archive: Programme Finalised, Registration Open
Investigating commemorative and memorial uses of personal, non-professional images in the digital age in the Global South
Click here to Register
Attenborough Centre for the Creative Arts, University of Sussex
4th and 5th September 2018
Programme
4th September
9.00 – 10.00 – Coffee and registration
10.00 – 10.15 – Welcome and opening remarks
10.15 – 11.15 – Keynote address 1
- What do people want photographs to be? Some thoughts on categories, assumptions and theories – Professor Elizabeth Edwards. Chair: Benedict Burbridge
11.15 – 11.30 – Break
11.30 – 13.00 – Panel 1: “Private” archives and violent public pasts
- Learning from Los Talleres de Fotografia Social (TAFOS) in Peru: the legacy of its images and for its citizen photographers – Tiffany Fairey
- The Battleground of Wartime Memory in Kashmir: The SB Photographic Archive – Nathaniel Brunt
- Re-invoking the past in the present through personal archives and private images in Zimbabwe – Tshuma Lungile
13.00 – 14.00 – Lunch break
14.00 – 15.00 – Keynote address 2
- The importance of victims’ images in commemorating and memorializing the genocide against the Tutsi. The case study of the Genocide Archive of Rwanda – Claver Irakoze
15.00 – 16.00 – Panel 2: Absences, presences and ethics – private archive and the state
- Archiving in the absence of a state: civil society in Libya – Laura McDonnell
- Ethics, commemoration and digital display of Biafra Civil War on social media – Olakunle Michael Folami
16.00 – 17.30 – Coffee break and networking
18.00 – 19.30 – Screening of The Faces We Lost (2017) followed by Q&A with Piotr Cieplakand Claver Irakoze.
20.30 – Conference Dinner
5th September
9.00 – 9.30 – Coffee
9.30 – 11.15 – Keynote address 3
- Shedding photographic light on the darkness of disappearance: An ethnography of collective and private rituals in the face of political violence in Argentina – Prof Ludmila da Silva Catela. Chair: Piotr Cieplak
11.15 – 11.30 – Break
11.30 – 13.00 Panel 3: Evidence, ethics, authenticity and institutions
- Memory work, photo-elicitation and auto-ethnography: Private photographs of soldiers – Stuart Griffiths (TBC)
- The ethics and agency(-ies) of digital media in prison – from Abu Ghraib to the prison-industrial complex: spectacle and invisibility in prison selfies – Berenike Jung
- Legal fragments: Images, evidence and authenticity at the International Criminal Tribunal for Rwanda – Benjamin Thorne
13.00 – 14.00 – Lunch
14.00 – 15.00 – Panel 4: Tensions and trajectories: re-defining “private” and “public”
- Exhuming Apartheid: Photography, Memorialisation and Erasure – Kylie Thomas
- The itineraries and re-use of photographs in Mbouda, Cameroon – Evidence from the Jacques Toussele archive – Prof David Zeitlyn
15.00 – 15.45 – Coffee break and networking
15.45 – 16.45 – Keynote address 4
- Online Communities Offline: Digital Heritage in the Israeli-Palestinian Conflict – Gil Pasternak
16.45 – 17.00 – Closing remarks